Please try the free demo before purchasing to make sure it works for your purposes. Please note that we only officially support After Effects 2019 and above.
How do I upgrade to Lockdown 1.4? Please follow this video.
Please note that 500 Externalized Points are no longer supported in Lockdown 1.4. We only allow 4 because we recently discovered 500 would effect click and drag responsiveness. If you have 1.3 installed, please internalize all points for all Lockdown instances, then save your project before installing Lockdown 1.4.
To use the Plug-in, please follow the instructions labeled 1-9 in both the script and Plug-in. Start by opening the script under Window/Lockdown.jsxbin. Select the layer you’d like to track, then press button 1.
In order for the Lockdown Plug-in and script to work, the video must be in a composition which matches it’s own framerate and resolution, with no transform changes. This button Pre-Composes your footage “Leaving all Attributes”, enters the composition, and applies Lockdown to your footage.
2) Optional Tracking Filter
This optional script button applies effects that sometimes allow our tracker and Mocha to better identify textures. It’s basically an edge detect with a lot of contrast. You should be in 16 or 32-bit mode when using this filter. Running a denoiser on the original footage, and again on the final result also improves trackability. This is great for a shot where lighting is changing, because it brings out details in cracks and surfaces, and tends to ignore larger gradients. You’ll want to delete these effects once tracking is done, after Step 5.
3) Generate Points
Lockdown can either create or receive animated points, then it strings them together into a mesh to produce the warping effect. You need to create points if you’re using the built-in tracker. Please note the After Effects UI MUST BE ON to do this or any other interaction with Lockdown. If you can’t see your masks, anchor points, bezier handles, etc. Your After Effects Effect UI is off. Turn it back on.
UI Toggle: Control/Apple+Shift+H
Create Point: Control/Apple + Click
Create an array of points: Control/Apple Click and drag into a box shape.
Delete single point: Option/alt+Click
Delete within a box: Option/alt+Click and drag rectangle
Select multiple points: Click and drag around them
or shift-click to add to the selection.
Click ‘nothing’ to de-select
Please note that you can only draw points on one frame at a time. If you draw points on frame 1, then go to frame 20, and create a new point, all frames will be re-located to frame 20. (This was not an intentional design choice, we hope to someday change this.)
4) Track Points
This takes all the points in the step above and attempts to track them to the footage. This process usually takes a few minutes depending on the length of the shot, amount of points, resolution, etc… You MUST keep the Lockdown Effect selected while tracking, with After Effects up and activated. Sorry for the inconvenience, again, this was not an intentional design choice, but a limitation of our first version.
After your first round of tracking, we’d recommend watching your footage very closely. You may need to add more tracks. When a track is not visible, that means it has no keyframes on that frame. You may choose to go back to step 3 and add more tracking points, then press this button again to add these new points to the track. To edit tracks manually, please check out the sections on “Internalize Selected Points” and “Externalize Selected Points”.
5) Interpolate Partial Tracks
This button is necessary 99% of the time. Let’s say you have a shot that’s 100 frames long. You have a handful of tracks at the beginning that all die off (contain no keyframe data) after the first 60 frames, so the range is 1-60. You also have tracked points from the end of the shot, that is from the range 40-100. Your two sets of tracks overlap between frames 40-60. By pressing this button, at the time at which any tracks are “dead” and having no keyframes, they will find “living” tracks around them and follow their motions.
To elaborate, even if a track does not live for the entire length of the shot, it can follow your surface VERY accurately by piggybacking on the tracks later in the shot. This solves the problem of tracks just sitting entirely still when they die, and causing parts of your mesh to freeze. The motion from interpolation is represented by keyframes, so in the previous example, all of your keyframe tracks would now show keyframes from the range 1-100, rather than their previous ranges.
Toggle this interpolation on and off, deleting the “interpolated” keyframes as many times as you’d like. The only limitation to be aware of is this works best with “internalized” keyframes. If you’re using this option with “externalized” keyframes, you run the risk of the interpolation being baked into the keyframe tracks permanently. It’s recommended that all tracks are always internalized when using this option. If you find yourself deleting bad points, or adding new points, you should toggle this option off to delete the previous set of interpolated keys, and then on again re-generate new interpolation based on your hand cleaned tracks.
6) Generating a mesh and “Auto Triangulate Mesh”
Create Mesh Edge: To manually connect two TRACKED points, select one, then Control/Command + Shift + click another point.
Lockdown can only render quads and triangles. Green lines represent the borders of Quads and Triangles, white lines represent lines that are part of incomplete geometry and not contributing to the mesh. There is no concept of “faces” in Lockdown with which the user can interact. Faces are determined by edge connections.
Delete edge: Option/Alt+Click
Auto Triangulate Mesh: Press the button. Please note that quads often render smoother than triangles. Manually drawing a mesh into quads can often provide better results. One easy way to compensate for this, however, is to have MANY dense tracking points, in which triangles will look great.
7) Apply Mesh on this frame
This button takes the current frame and determines that this is the hero frame you wish to draw on. Lockdown now stabilizes the entire video to this frame. This can be undone and re-done over and over and over again without consequence by pressing this button. It’s recommended to “Apply Mesh” on a frame in which your tracked object is largest, or flattest towards the camera so it’s easiest to paint on.
At this point you should watch your stabilized composition very carefully. If you see any areas sliding, that means you didn’t put enough tracking markers on them. You can press “Apply Mesh” again to clear your stabilization. Create some new tracking points, re-toggle “interpolate partial tracks”, then connect these new points to your mesh as described in step 6. When you press “Apply Mesh” again, you will be back to where you just were, but now with new tracking points contributing to stabilization. One last thing to keep in mind, when the mesh is “applied” it only stabilizes within the bounds of the existing trackers. so for example, if you only put tracking markers on a persons face in your shot, when you “apply” the mesh, only the face will be visible, and the body and other areas without geometry on them will be Alpha-0 transparent.
8) return to Lockdown Script
Just a reminder that to actually finish this shot, you need the script again.
Pressing this button will pre-compose this layer for you, with the stabilized video inside. It will also create a freeze-frame guide layer of the frame chosen from Step 7, so it’s easy to remember which frame was your hero frame, the frame that you should be painting on. In addition, t also creates a background for your main comp, which your stabilized/tracked composition sits on. It essentially automatically completes your compositing setup with compositions and layers in After Effects.
When this process is complete, you’ll see no indicator in the render that anything is tracking. You have to go into the stabilized comp, and put in some text. Then you can tab back out, and see how well your text tracks.
PLEASE NOTE THAT THE LOCKDOWN PROCESS CAN TAKE A LONG TIME.
In our experiments, sometimes it takes between 10 seconds and 2 minutes to run. Don’t touch anything while it’s working. The bottleneck that causes the delay is the copying and pasting of the dense keyframe tracking data. We apologize for this inconvenience, just know that the software hasn’t crashed if you get the spinning beachball of death or hourglass. You can significantly reduce this time by internalizing all of your keyframes before pressing “Lockdown!”.
These only exist on a single frame. Press Ctrl/Cmd + click, or click and drag as described above, to create an untracked point.
These are keyframed tracks that follow along with your footage.
Form a Geometric Face once a tracked point has been successfully connected with 2 or 3 other tracked points. Now, it is part of the Lockdown mesh. Furthermore, green indicates it’s part of a mesh.
An edge (the connection between vertices) that is part of a completed polygon, therefore part of the Lockdown mesh.
A connection between two tracked points. The white color indicates it is not part of a completed polygon.
An edge (Either type) that the user has selected.
Selected Untracked Point:
An untracked point the user has selected.
A tracked point or vertex can be selected and externalized, internalized, or deleted.
Rendered Tracked Point:
This just shows where your tracked points are, but rendered directly into the footage for smoother playback. The UI of Lockdown and all Plug-ins typically will not play in real-time.